In Situ 2019 Artists Announced

Initiated in 2014, In Situ is an annual season of original site-specific works from WA independent dance artists. We are pleased to announce that the 2019 season of In Situ will present new works by local artists: Joshua Pether, Scott Gailbraith, Michelle Aitken, Yvan Karlsson, Dane Yates, Alexander Turner, Rebecca Riggs-Bennett and Tao Issaro Mott.

This year, In Situ is staged in the hidden corners of Cyril Jackson Senior Campus and Cyril Jackson ArtsHouse. A blend of sound, dance & architecture, come along on a journey of discovery in this dynamic community setting. The selected artists will be collaborating to create four new performances on-site, drawing from local history, memory and folklore.

Curated and presented by Serena Chalker, Geordie Crawley and Daisy Sanders in association with STRUT Dance, TURA New Music & Cyril Jackson Senior Campus, In Situ is part of an ongoing commitment to nurture the development of local artists.

In Situ will be presented Nov 7-9 2019 at 6:30pm and 8:00pm at Cyril Jackson ArtsHouse. Tickets will be on-sale in October. For more information please visit Strut Dance‘s website or the In SItu Facebook page.

In SItu 2019 Composers

In SItu 2019 Composers: Dane Yates, Alexander Turner, Rebecca Riggs Bennett and Tao Issaro

In Situ 2019 Choreographers

In Situ 2019 Choreographers: Joshua Pether, Scott Galbraith , Michelle Aitken and Ivan Karlsson

In Situ is supported by STRUT Dance, Tura New Music, Town of Bassendean and Cyril Jackson Senior Campus.

Strut Dance Town of Bassendean

ARTIST BIOS

COMPOSERS

Dane YatesDane Yates

Dane Yates is composer and collaborator focusing on electroacoustic practices and the relationship between music, dance, theatre and film. His work focuses on the organic and the subversion of subject, resulting in commissioned works, performances throughout Australia, esteemed residency programs and multiple releases on Australian labels. Dane has continually collaborated with dance and movement based works through WAAPA (Western Australian Academy of Performing Arts) and dance companies Sydney Dance Company, STRUT Dance Company, Lewis Major Projects and Co3. Dane has also launched and managed a tape label Second Iteration Tapes, releasing music and sound art initially used within multidisciplinary and collaborative works since 2017. Dane’s collaboration with film has led to screenings around Australia and internationally, including an award winning score in the 2016 Revelation Film Festival (WA) for “Revelation Award for Best Music Soundtrack”. Dane currently holds a Bachelor of Music (Honours) in composition and music technology through WAAPA.

Alexander Turner

Alexander Turner

Alexander is a musician based on Whadjuk Noongar country. His practice involves composition, field recording, performing, and improvising, most often with electro-acoustic material and found objects. He recently studied electronic music production with Laurel Halo and radiophonic performance with Alessandro Bosetti and has an interest in community and exploratory arts. In 2018, his ensemble work ID was selected by the ABC to represent Australia at the International Rostrum of Composers (Budapest). In 2019, he composed and performed in Watering, which received the Fringe World Perth Best WA Dance/Physical Theatre award.

Rebecca Riggs Bennett

Rebecca Riggs-Bennett (Elsewhere/Rebecca)

Rebecca is an emerging sound artist, performance maker, writer and electronic music producer. Her practice is interdisciplinary and branches across performance, installation, video art and live music. She focuses on sound existing as the core pulse of a work and strives to highlight its immersive presence for audiences. She has an interest in sharing experiences that can’t always be seen. Rebecca has performed live and presented sound design and composition in works such as Guardians (City Of Perth), The Divine Feminine (Fringe World 2019) Sisters Vice (IN SITU 2018), Let Me Finish (The Blue Room Theatre), Valentine (Awesome Arts Festival), A Resting Mess (The Blue Room Theatre’s Winter Nights Festival) Claytime (Glastonbury Festival) and Cirquepop (Fremantle Festival). This year she premiered Our Sandman at Cool Change Contemporary, and her past performance works include my sandman (Crack Theatre Festival 2017) and bad noise (KISS Club 2017). She has also undergone artistic residencies with Perth Institute of Contemporary Arts, Time_Place_Space: Nomad with Artshouse, Perth Festival Lab 2018 and pvi collective.

Tao Issaro
Tao Issaro

Tao is an Indian/Australian percussionist, composer, actor, performing artist based in Western Australia and Kerala, South India. Born into the artistic tribe of the “Daksha Sheth Dance Company”, Tao has performed over 1000 performances in 30 countries since the age of 9. Tao has developed a unique and dynamic live performance language over the years and is continuing to work on this in India and Australia. Career highlights include: In 2017 Tao was commissioned to compose and train twenty-one volunteer drummers for the inauguration of the 112ft Adi Yogi statue at the Isha Yoga centre in Coimbatore, India. Tao also composed/performed and acted in Jay Emmanuel’s Biryani alongside Palme d’Or winning actress Kali Srinivasan, and was the music director for Jay Emmanuel’s MAA. Tao completed an Honours Degree in Music (classical percussion) from the West Australian Academy for Performing Arts. The university awarded Tao the Luigi Paolini Award 2017 for excellence in percussion. In 2019 Tao was music director and associate director in Ochre Contemporary Dance Company’s show Kwangkan (Sand) which toured for 6 weeks to remote and regional communities in WA and premiered at the Perth Festival. Tao Is currently the music director and actor in Yirra Yaakin theatre company’s childrens show Djinda Kaatijin. The show is on a 142 performance season, in over 70 schools around WA.

CHOREOGRAPHERS

Joshua Pether

Joshua Pether

Joshua is of Kalkadoon heritage but lives and works on Noongar country in Western Australia. He is an experimental performance artist, dancer and choreographer of movement, temporary ritual and imagined realties. His practice is influenced by his two cultural histories indigeneity and disability and the hybridization of the two with particular interest in the aesthetics of the disabled body and also that of the colonised body. His work and practice have been supported through the Australia Council and DCA (local) funding. As an independent artist he has had work shown in Perth, Melbourne, Brisbane, Sydney and New York and has performed in festivals and events such as the Undercover Artist Festival, Yirramboi Festival, Next Wave, APAM 2018, Short Cuts, MoveMe Festival and The First Nations Dialogues in New York. He is the creator of two solo works, Monster and Jupiter Orbiting.

Scott Galbraith
Scott Galbraith

Scott is a graduate from the Western Australian Academy of Performing Arts (WAAPA). Recently Scott has performed SUNSET a work choreographed by Punch Drunks co-director Maxine Doyle. Scott performed with Co3 Australia In The Zone created by Raewyn Hill in 2017 at the State Theatre Centre of Western Australia. He has performed in multiple shows for the Perth Fringe Festival, some of which include Shall we get comfy (2018) and If Neapolitan ice-cream could melt the sun (2018).Scott also enjoys to inspire and teach young artists and has choreographed works for Riptide Youth Theatre Company, Co3 youth ensemble and the student work season at WAAPA.

Michelle Aitken
Michelle Aitken

Michelle is an emerging maker and performer who holds a BA in dance from WAAPA. Since graduating in 2016 she has worked across dance and theatre in Perth. Michelle presents work under the banner of Hey! Precious, and has collaborated and performed with such companies as Ten Tonne Sparrow, Bow & Dagger, Renegade Productions, pvi collective, Squid Vicious Theatre, and PICA. Through STRUT workshops Michelle has learned from artists and companies including Kidd Pivot, Maxine Doyle, Andrew Morrish, and Stephanie Lake, and was engaged on STRUT’s reproduction of Forsythe’s One Flat Thing Reproduced. Last year Michelle toured her award winning solo show Future’s Eve internationally, and this year she presented Unrule as part of The Blue Room Theatre’s Development Season. Michelle is currently a member of Black Swan State Theatre Company’s Emerging Writers Group.

Yvan Karlsson
Yvan Karlsson

Yvan is a Director, Choreographer, Dancer & Puppeteer. He has trained with STEPS Youth Dance Company (2007-2014), Spare Parts Puppet Theatre (First Hand Program 2015), The Curious School of Puppetry (UK) & Force Majure (INCITE). Yvan has worked with Companies & Organisations including: Spare Parts Puppet Theatre (SPLAT! & Nobody Owns the Moon), Compagnie Royal De Luxe/Perth Festival (THE GIANTS), Circus MAXIMA (Fearless), Steamworks, Force Majure, In Soliloquy, Atticist & X+CO. Creator/Director credits include: Cool Bananas (600 Seconds/Blue Room Theatre), Monkey Boy (SPPT/First Hand), Ophelia (FringeWorld 2016), Player (In Situ 2016/STCWA) & DEATHWISH (MicroMove/ Blue Room Theatre). Movement Director credits include: Deadly Dialogues (Edinburgh Fringe 2017), EAST (Atticist) & Confirmation (X+CO). Yvan was selected for the Next Generation Programme Asia in Tokyo, completed a choreographic residency at Lizierés in France & was nominated for an ‘OFFIE’ (Off West End Theatre Award) for ‘Best Choreography/Movement’ for his work on EAST. This year, Yvan was one of the Perth Festival’s 2019 LAB artists, directed ‘Tape, Tape World’ a puppetry collaboration with The Wanderlings in Singapore, is one of the performers and co-creators for Circus MAXIMA’s CATCH! & toured regional WA with ERTH’s Dinosaur Zoo.

 

Cross-cultural collaboration at Australian Embassy in Jakarta

The Australian Ambassador to Indonesia Gary Quinlan AO opened a special performance of Tura New Music’s Kimberley Indonesia Project on the 26th August at the Australian Embassy in Jakarta.

The Kimberley Indonesia Project is a musical exploration between the connections and differences between Indonesia and the Kimberley – the culturally and geographically rich and diverse region in North Western Australia.

“The Australian Government is delighted to support this exciting collaboration between Indonesian and Aboriginal Australian musicians,” said Australian Ambassador Quinlan as he welcomed the full hall at the Purnululu Theatre, describing the connection of the theatre design to the Gija people in the Kimberley.

“Music is often the medium through which diverse cultures seek to understand each other. That is what this collaboration is about and it makes understanding between our communities more vibrant.”

The Australian Ambassador to Indonesia Gary Quinlan AO

The Australian Ambassador to Indonesia Gary Quinlan AO

The project started in May 2018 when Tura’s Artistic Director Tos Mahoney visited Jakarta with Andrew Ross, a great cultural connector between Australia and Indonesia. They met many talented people during that visit including composer/performer and ethnomusicologist Nyak Ina Raseuki “Ubiet”.

composer/performer and ethnomusicologist Nyak Ina Raseuki "Ubiet"

Composer/performer and ethnomusicologist Nyak Ina Raseuki, “Ubiet”

In November last year Tura brought Ubiet to the Kimberley where she spent a week meeting artists and community, especially local Aboriginal people who had historical connections with various parts of South East Asia. It was a very moving experience for Ubiet, witnessing people moved to tears by the realisation of their strong cultural connections with our near neighbour Indonesia.

Ubiet with Karajarri Elder and Songman Mervyn Mulardy (left) and with Sally and Ahmed bin Demin (right) in the Kimberleys in 2018.

Last week, the second phase of collaboration took place in Jogjakarta where three Aboriginal artists from Australia, along with Ubiet and two other Indonesian artists, explored those connections and differences, creating new shared work and sharing music from each other’s cultures.

In addition to Ubiet, the artists collaborating and performing were Shafur Bachtiar (bebano – a traditional Javanese drum), Dimawan Adji (cello) and from Australia, Mark Atkins (didgeridoo), Stephen Pigram (voice and guitars) and Mick Manolis (voice and guitars).

Kimberley Indonesia Project Artists

Having a showcase at the Embassy presented a wonderful opportunity to reach out to even more artists and organisations in across Indonesia.

The performance last night was sample of some of the collaboration from the time spent in Jogjakarta. It is the early stage of a long journey which Tura sees as going on for many years to come.

The Embassy audience heard the haunting sounds of didgeridoo combined with cello and bebano in the powerful opening piece titled Kemarau Barrgana – a new work created through the project.

Stephen Pigram’s song Walganyagarra, sung in Yawuru, the traditional language of the Traditional Owners of the Broome region in the Kimberley, combined with totally enchanting and captivating singing by Ubiet in Bahasa. It provided a wonderful metaphor for the project, the exchange, the connection, the juxtaposition of language and sound.

Stephen Pigram and Ubiet

Another new work involving all artists called Segara Nagula explored the idea of the ocean separating and connecting the two countries and the power and possibilities that it holds. The work was a powerful one full of brave new possibilities, leaving the audience breathless and then giving a wildly enthusiastic ovation.

Mahoney commented to the thrilled audience, “We certainly believe there should be many, many more cultural collaborations between Australia and Indonesia and we are committed to doing what we can to make that happen.” and after the concert, “This phase of the project could not have been more successful, and we all look forward to its journey into the future.”

Tos Mahoney

Tos Mahoney, Tura Creative Director

When are you coming back? – was the endless question from the audience, comprising academics, cultural institutions, Australian and other government diplomatic corps, students, media and business representatives.

Planning is under way for the next stage of the project to bring a group of Indonesian artists to the Kimberley to collaborate with even more artists and communities.

The Kimberley Indonesia Project has been made possible by the support of the Australian Government through The Australia Indonesia Institute and the Australian Department of Foreign Affairs and Trade.

Tura also receives support from Australian Government through the Australia Council and the Western Australian Government through the Department for Local Government, Sport and Culture, for ongoing programs.

Read more about the Kimberley Indonesia Project.

Kimberley Indonesia Project Phase 2 Update

Down a quiet street in the outskirts of Yogyakarta is a serenely beautiful arts centre, Museum Tembi Rumah Budaya. It teams with life and local culture – traditional and contemporary. This week it has been the home of the Kimberley Indonesia Project bringing together artists from Australian and Indonesia for a week of collaborations and explorations

Nyak Ina Raseuki – Ubiet (vocals); Shafur Bachtiar (bebano); Dimawan Krisnowo Adji (cello); Stephen Pigram (vocals/guitar); Mark Atkins (didgeridoo) and Mick Manolis (vocals/guitar) have been exploring historic connections between Indonesia and the Kimberley as well as create new sound works with influences across the regions.

Stephen Pigram and Nyak Ina Raseuki 

Image credit: Stephen Pigram and Nyak Ina Raseuki by Erwin Octavianto.

Imbued with the experiences of local culture and food! the collaborations have been increasingly rich and complex as part of the long journey that this project represents stretching over years to come

The artists will present a Free Showcase Performance on Friday 23rd August at Tembi before travelling to Jakarta for a performance at the the Australian Embassy on Mon 26th August.

Tura AD Tos Mahoney and curatorial intern Annika Moses are travelling with the team in Java and bringing back documentation and plans for the future

Read more about the Kimberley Indonesia Project.

Winners of the 2019 Art Music Awards announced

The 2019 Art Music Awards hosted by APRA AMCOS and the Australian Music Centre (AMC) were held at the University of Sydney on Monday 19 August. Individuals and organisations have been recognised for their excellence in the fields of composition, performance, education and presentation of Australian art music. Australian cult experimental jazz trio The Necks (pictured) were awarded with The Richard Gill Award for Services to Australian Music.

The Necks

The Necks, winners of the Richard Gill Award for Distinguished Services to Australian Music. Photo by Georgia Moloney.

Some notable winners on the night were Carl Vine for Orchestral Work of the Year with Implacable Gifts (Concerto for two pianos and orchestra performers by WASO). Instrumental work of the year went to Mary Finister for her work Ignis for James Wannan (viola d’amore) and Christopher Pidcock (cello). Performance of the year was awarded to Speak Percussion with Jessica Aszodi for their performance of Liza Lim’s Atlas of the Sky (texts by Bei Dao and Eliot Weinberger).

Other winners included Zephyr Quartet, Damien Ricketson, Lyn Williams, The WASO and BIFEM. Congratulations to state winners Daniel Susnjar (WA), Cat Hope (VIC) and Gabriella Smart (SA) for their continued contribution to the industry.

See the full list of winners and read more here.

Lionel Marchetti Residency and National Tour

French Musique Concrète artist Lionel Marchetti returns to Australia for a series of concerts and residences. Lionel will work with composition students WAAPA in a week long composition residency before working with long time collaborators Decibel New Music Ensemble. Decibel and Lionel will present a series of concerts together. Lionel and Decibel will present 4 different concert programs across 4 venues in WA, VIC and NSW in late August before Lionel finishes with a week long composer in residence at The Sir Zelman Cowan School of Music at Monash University.

Portrait by Bruno Roche

Photo by Bruno Roche

The first being at the Sewing Room on Monday the 26th August. Entitled Partition Concrète, this will be an atmospheric concert of delicate but at times surprising sounds. The recent release of a recording of these works, on Brisbane Label Room 40, was named ‘a masterpiece’ in Italian music magazine ToneShift, and was listed on Nicola Orlandino’s “Best Artworks of 2018” list. Marchetti and Decibel will then present concerts at Linden Gallery in St Kilda, The Substation in Newport and finally as part of Extended Play at the City Recital Hall in Sydney.

You can hear those works on Room40, and see a music video of one the tracks on YouTube.

2019 Gender Diversity in Music and Art Conference wrap up

More than 70 academics, arts practitioners and students came together at the UWA Conservatorium of Music at UWA for the 2019 Gender Diversity in Music and Art Conference. A week of papers, presentations and performances from a cross section of artists and art forms creating a great open platform for the discussion of gender diversity within our artists communities. Artist in Residence Robyn Schulkowsky joined forces with Louise Devenish and Venessa Tomlinson to perform Schulkowsky’s seminal percussion work Armadillo. The first time this work has been performed by 3 women percussionists. Seesaw Magazine’s Jonathan W. Marshall described the performance as “one of the most extravagantly wonderful and awe-inspiring Perth concerts of the last few years”

Artist in residence Shoeb Ahmed also gave a stirring performance and artist talk about approaches to improvisation followed by Decibel New Music Ensemble’s performance of WA Women Composers: 10 at 10. In this concert Decibel performed 7 previously commissioned works from WA women composers plus the world premiere of Kate Milligan’s If I Told Him which was made possible through Tura’s Young and Emerging Composer Comissioning Program. Improvising artists were fortunate enough to work with Robyn Schulkowsky in an intimate weekend of improvisation workshops and collaborations as part of the

Improvisation workshop for women and non-binary improvisors facilitated by Moon Project – Kirsten Smith and Catherine Ashley.

Congratulations to conference convenor Louise Devenish and everyone who made this conference possible.

Venessa Tomlinson, Robyn Schulkowsky and Louise Devenish

Venessa Tomlinson, Robyn Schulkowsky and Louise Devenish

Read the full review of Armadillo on SeeSaw.

Decibel and Intercurrent at Extended Play

Extended Play is back in 2019 after last year’s inaugural event last year was hailed as “the best new classical music initiative Sydney has seen in years” (The Australian).

City Recital Hall and Lyle Chan have joined forces to create a 12-hour program of eclectic, contemporary, challenging and dynamic new music across the entire four floors of the venue. Western Australian ensembles, Decibel with special guest Lionel Marchetti and Intercurrent, will be a part of this, made possible with the support of Tura.

Decibel are commissioning new works for their Talking Board score reader – an innovative way of to reading graphic scores within their Decibel ScorePlayer. A series of commissioned new ‘boards’ will be presented alongside earlier works composed within the ensemble, and performed in front of projections of the boards. Expect a range of guided improvisations and compositions that combine electronic and acoustic sounds in this exciting program.

Intercurrent are performing a program that was premiered in Perth in 2017, Simulacra, which explores a world of musical doubles; real, imagined and imperfect. Centred around the twisting patterns of Lachlan Skipworth’s palindromic reverse-canon Intercurrent, the program explores the unique sonic formation of bass clarinet, percussion and piano.

Read more about the program.

Decibel Performs New Commission by WA Composer

Decibel will be performing a world premiere commission from WA composer Kate Milligan in their Decibel 10 at 10 program.

Tura spoke to Kate about her new work ‘If I Told Him’:

“This work samples the modernist poet Gertrude Stein reading her poem of the same name ‘If I Told Him: A Completed Portrait of Picasso’, and explores the concept of gendered perspective. The anxiety reflected in the title’s conditional, incomplete grammar provides the basis for the work’s emotional content. Structurally, the work draws on cubist techniques, and the block-like organisation of the poem itself. The fragmented audio is dispersed over four channels, whilst the instrumental writing responds to the rhythm and intonation of Stein’s reading.”

‘If I told him’ will be performed 7pm Thursday 18 July in the Callaway Auditorium at the Conservatorium of UWA, as part of the 2019 Gender Diversity in Music and Art Conference. This new composition will sit alongside a selection of works that Decibel have commissioned from WA women since their foundation in 2009, including Amber Fresh, Erin Coates, Catherine Ashley, Rachael Dease, Olivia Davies, Cissi Tsang and Annika Moses.

Kate’s commission was made possible through Tura’s Young and Emerging Composer Comissioning Program.

Aaron Wyatt and Speechless Helpmann Award Nomination

Congratulations to Aaron Wyatt for his nomination in the 2019 Helpmann Awards. Cat Hope’s 2019 production of Speechless and that her wonderful score, rendered beautifully by Aaron Wyatt is the result of the nomination for Musical Direction. Speechless featured four soloists, Judith Dodsworth, Karina Utomo, Sage Pbbbt and Caitlin Cassidy, with a combined community choir of 30 voices and the 30-piece multi-instrumental Australian Bass Orchestra, led by four section leaders from Decibel New Music Ensemble.

Speechless was presented by Tura and Perth Festival, after a development in 2017 at Vitalstatistix.

See the full list of nominees.

Music Director Aaron Wyatt | Image by Toni Wilkinson

Perth Festival Impact Report on Speechless and Sunset

Perth Festival recently released the 2019 Perth Festival impact report, which provides an analysis of the impact the Festival has on the Perth community and WA economy.

Cat Hope’s highly acclaimed new opera Speechless, produced by Tura for the Festival, scored highly in two categories:

Authenticity and Showcase – a group of productions that created unique experiences that were linked to the cultural identity of Western Australia, “where Authenticity strengthens shared cultural ties within community, Depth celebrates those experiences as meaningful and worthy of sharing with others.”

Content and Excellence – reflecting a broad and inclusive range of voices is a significant hallmark of meaningful social impact, “these shows demonstrated an ability to represent their audience’s communities of interest while meeting the high qualitative standards set by the entire Festival’s program.”

And Strut Dance and Maxine Doyle’s Sunset, produced in association with Tura, took away “Best in Show”, with the report saying that “these shows represent the complete realisation of the Festival’s strategic goals, as determined by audiences responses.

Overall, the Made in WA branded series (in which Speechless and Sunset were two of the eight featured productions) had a Patron Experience of 89% of respondents rating it very good/excellent. In particular audiences at Made in WA events highlighted Authenticity at 14% over the overall Festival average.

Tura congratulates the Perth Festival, Cat Hope, Strut and Maxine Doyle, and the many artists and creatives who came together to make these two productions possible. The results speak for themselves.