BY LINDSAY VICKERY
from the novel Djinn by Alain Robbe-Grillet*.

THE NOVEL
Described as a haunting, disorienting and brilliantly constructed novel, it is the story of a young man who joins a clandestine organisation under the command of an alluring, androgynous American girl Jean (Djinn). Having agreed to wear dark glasses and carry a cane like a blind man, he comes to realise, through bizarre encounters, recurring visual images and fractured time sequences that he is, in a sense, helplessly blind.

THE OPERA
Rendez-vous dissolves the barriers of 'traditional opera', deploying a range of vocal styles from lyric operatic tunefulness to Tom Wait-sy latenight grumblings. The music evokes a familiar soundtrack ambience. Through the use of sampling keyboards, the traditional function of soundtrack sound effects is subverted and incorporated into the structure of the work: a dripping tap becomes a musical motive; characters exist 'live' or be pre-recorded on film. Robbe-Grillet's playful allusions to pop-culture - Film Noir, the occult and Sci-Fi genres - abound in Rendez-vous. Audiences will delight in the filmic qualities of the production, in which fully-projected sets create an unstable reality in keeping with the themes of the novel.

THE COMPOSER
Lindsay Vickery's music with its kaleidoscopic blend of influences, has been performed in Norway, Germany, Holland, England, the USA and across Australia. Known principally for his work over the last ten years with new music group Magnetic Pig, he has been a driving force in the devlopment of Australian new music.

THE DIRECTOR
Talya Masel's work as actor, director, writer and teacher of theatre, music theatre and opera has taken her to Australia, Russia, Great Britain and Europe. Her unique ability to understand and interpret various theatre forms whilst maintaining the genesis of the ensemble (via Stanislavski and Nemirovich-Danchenko) has created a career path which has seen her work with across the spectrum from students to the world's top professionals.

*© 1981 by Les Editions de Minuit; English translation © 1982 by Yvone Lenard and Walter Wells

Rendez-vous has been made possible by A Seeding Grant from the Research Committee of WAAPA@ECU; has been assisted by the Commonwealth Government through the Australia Council, its arts funding and advisory body and The State of Western Australia through ArtsWA in association with the Lotteries Commission. Rendez-vous is sponsored by Malaysian Airlines, and Healthway to promote The Family Planning Associations Play It Safe message.

For more information, click here to visit the WAAPA site.

Wed 21-Sun 25 Nov 2001
Wed-Sat 8pm + Thurs 1pm,
Fri 6pm, Sun 6pm
Rechabites Hall, Northbridge
$20, $15 con, $10 students
BOCS 9484 1133
Online Bookings...
Win Your Tickets Here
www.tura.com.au
THE PERFORMERS
Kathryn McCusker
Perth born and now based in London, Kathryn has sung with Opera Australia, Victoria State Opera, Opera de Massy (Paris), Vienna Staatsoper and the Covent Garden Festival. Career highlights include the role of Titania in the critically acclaimed Baz Luhrmann production of Benjamin Britten's Midsummer Night's Dream at the Sydney Opera House, and also at the Edinborough Festival (which also won the critic's choice award) and the title role for Opera Australia's "Iphigenie En Tauride"(1997).

Taryn Fiebig
Recently returned from UK and USA, having been the recipient of a Churchill Fellowship. Taryn Taryn's abilities in cello and voice have led her to work with a wide range of Companies and Ensembles including the WA Symphony Orchestra & Ensemble Archangelo, "Taryn Fiebig interpreted the vivid imagery to perfection ..." The Western Review

Andrew Broadbent
Andrews theatricality, passion and musical nouse guarantee his performances to offer great power and depth. His instrumental and vocal contributions across a broad range of music theatre projects have established Andrew as a major voice in new Australian opera.

Magnetic Pig
"Magnetic Pig drew us in with their irresistible, almost indefinable contemporary music blends" The Wire Magnetic Pig is Cathie Travers (Keyboards), Lindsay Vickery ( Reeds and electronics), Iain Grandage (Cello), Steve Richter (Percussion) and Jess Ipkendanz (Violin).

Virtual Set
Experimental screen based audio-visual artists Vikki Wilson & Rick Mason have developed a immersive video set blending archival with original footage, revisioning the ambience of Paris. As Retarded Eye, their works have been broadcast in the USA, Germany and Australia wide.